Музыка вокруг нас
книга

Музыка вокруг нас

Форматы: PDF

Издательство: Липецкий государственный педагогический университет им. П.П. Семенова-Тян-Шанского

Год: 2020

Место издания: Липецк

Страниц: 84

Артикул: 91359

Возрастная маркировка: 16+

Электронная книга
160

Краткая аннотация книги "Музыка вокруг нас"

Пособие представляет собой сборник текстов и упражнений по теме «Современная музыка». Предназначено для студентов, обучающихся по направлению подготовки 44.03.05 – Педагогическое образование (профиль – иностранный язык (с двумя языками), квалификация: бакалавр). Рекомендовано для слушателей программ дополнительного профессионального образования соответствующего направления подготовки.

Содержание книги "Музыка вокруг нас"


UNIT 1. ROCK, POP, FOLK AND ALL THAT JAZZ
UNIT 2. FROM OPERA TO ROCK OPERA
UNIT 3. THE EFFECTS OF MUSIC ON THE HUMAN SYSTEM
GLOSSARY
SUPPLEMENTARY MATERIALS
REFERENCES

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78 Instrumentation can vary widely but typically centered around the rhythm section consisting of conga, timbale, bongo and other latin percussion, with piano, guitar or vibes and joined often by horns and vocals. Arturo Sandoval, Pancho Sanchez and Chucho Valdes are well known Afro-Cuban Jazz artists. Post Bop The terms Modern Mainstream or Post Bop are used for almost any style that cannot be closely associated with historical types of Jazz music. Starting in 1979, a new emergence of players hit the scene with a fresh approach to the Hard Bop of the 1960s, but rather than take it into the Groove and Funk rhythms that had evolved a generation before, these “young lions” added the textures and influences of the 1980s and 90s. Elements of Avant-Garde offer soloists new exploratory directions while polyrhythmic beats from Caribbean influences lend a wider diversity than previous Bop music. Acid Jazz The term Acid Jazz is loosely used to cover a wide range of music. Although it is not a true style of Jazz music that has evolved from traditional stems, it is too significant to ignore as a member of the genre. Originating in the 1987 British dance scene, it defined a funky music style which incorporated sampled classic Jazz tracks, 70s Funk, Hip-Hop, Soul and Latin grooves, with the main focus on instrumental music and not the lyric. The resulting mosaic usually ignored improvisation giving argument to whether Acid Jazz is, in fact, Jazz. Smooth Jazz Evolving from Fusion, but leaving behind the energetic solos and dynamic crescendos, Smooth Jazz emphasizes its polished side. Improvisation is also largely ignored giving argument whether the term “Jazz” can truly apply. High tech layering of synthesizers and rhythm tracks give it unobtrusive and slick packaging, where the ensemble sound matters more than individual expression. T...